It was Cezanne’s flat, faceted forms that really excited the early Cubists, because they broke reality into a series of angular components. Post-Impressionist painter Paul Cezanne is often referred to as the father of modern art, and this may be because his art had such a profound influence on the advent of Cubism. This Analytical Approach Was Influenced by Paul Cezanne Paul Cezanne, Mont-Sainte Victoire, 1902-6, image courtesy of the Metropolitan Museum, New York Spanish painter Juan Gris and French artist Jean Metzinger were also associated with Analytical Cubism, although their work is often more distinguishable from that of Picasso and Braque. The leading artists associated with this phase of Cubism were Pablo Picasso and Georges Braque, who worked so closely side by side that it is sometimes difficult to tell their work apart. In many early Cubist paintings we see bottles from one angle, guitars from another, and so on. The result was a fragmented image featuring multiple viewpoints and intersecting planes. Instead of attempting to recreate a single viewpoint, they looked at objects from varying viewpoints and attempted to combine a series of conflicting angles into a single, flat image. They noted the ‘analytical’ way early Cubists interpreted reality, taking a structured, dissected view. Art historians have noticed how Cubist art made between 1908-12 had a distinct look to it that was different from later phases of the style. Analytical Cubism Was the First Phase of Cubism Georges Braque, Glass on a Table, 1909-10, image courtesy of Tate Gallery, LondonĪnalytical Cubism is the phrase used to describe early Cubist art.
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